David Kordansky Gallery presents three new exhibitions…“Casements” by Anthony Pearson, a group show titled “All Opposing Players” and “Ivan Morley: New Paintings.” An opening reception was held for all three exhibits on July 22, 2022, but you have until August 27, 2022 to view the shows.
Anthony Pearson’s solo exhibit “Casements” features new wall and pedestal-based sculptures. The artist has developed a formal vocabulary informed by photography, painting, and sculpture. For more than twenty years, he has been producing an interrelated body of objects in which subtle evolutions of material, color, and mood elicit meditative looking and quietly immersive perceptual experiences. Recent groups of wall-based sculptures, which he calls Casements and Coupled Casements, are made by pouring pigmented Hydrocal cement into bunched sections of fabric; when the dry cement is removed, finished, and installed on the wall, its shapes and volumes evoke a wide range of geological and organic forms. Upright Casements, works produced in a similar way and installed on pedestals, reveal yet another dimension of these materials—as well as the forces of light and gravity that move and illuminate them.
“All Opposing Players.” is a group exhibition curated by The Racial Imaginary Institute, featuring works by Lotte Andersen, Ed Fornieles, and Shaun Leonardo. As part of the exhibition, on Saturday, July 23, 2022 at 11:00am, Leonardo will present a live workshop that incorporates audience participation to investigate how platforms of discussion may be rethought and possibly reinvented.
“All Opposing Players” explores the complex phenomenon of nationalism in the work of Andersen, Fornieles, and Leonardo, who utilize game-playing to explore the dangerous and the utopian potential of the “we.” The artists’ objects, videos, and performances address these concerns on a variety of scales, ranging from the deeply personal to the outwardly global, sometimes in challenging and contradictory ways. This project is situated within The Racial Imaginary Institute’s (TRII) wider research into nationalism, and poses questions such as: How much should we invest in ideas of the “we”? And how can we reimagine nation, tribe, and community?
Ivan Morley combines virtuosic craftsmanship, a committed sense of place, and deep knowledge of the discipline of painting to create works that take on the medium’s major narratives even as they glorify its minor pathways. For twenty-ﬁve years, he has made works that challenge expectations about how paintings should be made and what they should depict. He has long employed seemingly “lower” techniques and materials, such as the embroidery that is the focus of this exhibition; at the same time, he is the author of a strange but immediately recognizable set of images and stylistic modes.
On view: July 23, 2022 – August 27, 2022
What: New Exhibitions
Where: David Kordansky Gallery, 5130 W. Edgewood Pl., LA, 90019