Review: The Geffen Playhouse, Vinny DePonto “Mindplay”
In the intimate setting of the Audey Skirball Kennis Theater at the Geffen Playhouse, Vinny DePonto, entertained, engaged and educated an awestruck audience with his solo performance of “Mindplay.” A core component of the show had DePonto relying on
Review: BroadStage, Mark Morris, “The Look of Love”
Commissioned by BroadStage, the Mark Morris Dance Group presented the world premiere of “The Look of Love,” a journey into the sweetness and sorrowful emotions of romantic love as evoked by the music of Burt Bacharach. Before the curtain
Review: The Wallis, BODYTRAFFIC
With an invite to the audience to “get down” with a live DJ set and complimentary champagne before and after the performance, and during the intermission, Los Angeles-based BODYTRAFFIC set the mood for an entertaining program of works from
Review: The Ford Theatres, Noche Cosmica
Saturday, October 1st was a very entertaining and soulful night of Latinx music at the Ford Theatres in Hollywood. What I loved about the open air amphitheater is that we were outside with the Hollywood Hills behind the stage.
Review: Billy Cobham’s Crosswinds Project Shines at the Canyon Club
Considered to be one of the best living jazz fusion drummers, Billy Cobham has performed with a slew of impressive musicians in the jazz and rock genres, including Miles Davis, Milt Jackson, Horace Silver, Bob Weir and The Mahavishnu
Review: The Eli and Edythe Broad Stage, Emily Johnson / Catalyst Being Future Being
Commissioned by BroadStage, Emily Johnson /Catalyst presented the world premier of “Being Future Being,” a highly engaging and multi-dimensional performance piece that integrates movement, story, imagery, ritual, social practice art in the context of honoring an indigenous perspective to