Review: “Immersive Frida Kahlo”
The Mexican born Frida Kahlo was a woman of the world…a revolutionary. Unlike most women of that era, Kahlo was a wife who did not hold her tongue, a feminist prior to the feminism movement, an activist before women
Review: King Lear at The Wallis
We take our seats in the Bram Goldsmith Theater as well as in bleachers constructed on the stage that is set with banquet tables. Pillars of video screens on either side of the stage project images of storms, forest
Review: The Broad Stage, Fran Lebowitz with Larry Wilmore
LA ART PARTY was lucky enough to be able to attend a recent conversation with the always astonishingly witty Fran Lebowitz at the Broad Stage in Santa Monica. The "evening" (which took place on a Sunday afternoon!) was of course
Review: Geffen Playhouse, “Who’s Afraid of Virginia Woolf?”
When mounting an iconic play such as “Who’s afraid of Virginia Woolf,” by the acclaimed writer Edward Albee, both a fresh perspective or classic approach to the play can make or break it. Any theatre lover will know the
Review: COMPLEXIONS Contemporary Ballet at The Wallis
With their impeccable ballet technique, combined with modern dance athletic strength and suppleness, and infused with vigorous high energy, range of individual expression, and collective passion, the company of COMPLEXIONS Contemporary Ballet wowed the audience in their debut performance
REVIEW: Honor Fraser Gallery, Surabhi Saraf, Yassi Mazandi
I escaped the mid-afternoon heat and entered into the darkened and air-conditioned cool of the Honor Fraser Gallery to experience the virtual worlds created by the video imagery of two distinct and yet complementary artists, Surabhi Saraf and Yassi