Review: The Magic Flute at The Music Center
LA Opera The Magic Flute Review LA Opera's production of Mozart’s The Magic Flute is an immersion of pure opera and whimsical animation within a silent-film tableau. The opera’s musical styles combine Italian opera, symphony, folk songs, as well asTurkish music.
Review: Akhnaten at the LA Opera
Dalia Stasevska makes her LA Opera debut conducting Phillip Glass’s rhythmically signature repetitive hypnotic and meditative score for Akhnaten. The breathtaking production, directed by Plelim McDermott, is visually striking with sets by Tom Pye and elaborate costumes by Kevin Pollard. 2026
Review: 2025 LA Opera La Bohème
LA Opera La Bohème LA Opera’s revival of filmmaker Herbert Ross’s production of Puccini’s heartbreaking romance La Bohème is an emotionally engaging enchantment. Lina González-Granados conducts the sublime romantic and melodic score that complements the singers’ voices to flourish individually and
LA Opera, Giuseppe Verdi’s Rigoletto Review
Music Director James Conlon conducts the emotionally riveting production of Verdi’s Rigoletto at the LA Opera (Music Center). Director Tomer Zvulun brings the classic 19th century opera into 1930’s fascist Italy. Jessica Hahn’s costumes populate the scene with masked men in
Review: Here There Are Blueberries at the Wallis at the Wallis
The 2024 Pulitzer Prize nominated play, Here There Are Blueberries, opened at the Wallis in Beverly Hills. Conceived and directed by Moisés Kaufman and co-written by Amanda Gronich, the 90-minute play is a haunting meditation on memory and trauma. The narrative
Review: Waiting for Godot at the Geffen Playhouse
The Geffen Playhouse staged a captivating production of Samuel Beckett’s Waiting for Godot, directed by Judy Hegarty Lovett in association with Gare St Lazare Ireland. Geffen Playhouse Waiting for Godot The two-act tragicomedy, considered one of the most significant English-language plays